This late summer marks the release of Selves, a new original television project composed collaboratively by the Final Cue trio. The series explores identity, perspective, and internal conflict, brought to life through a distinctive and emotionally driven score that blends cinematic orchestration with contemporary production techniques.

As part of the release campaign, an exclusive single titled Illuminating (Deluxe) will launch alongside the series. This expanded edition builds on the trio’s most popular track, reimagining its core themes with new material, extended development, and a more refined sonic palette. The release offers listeners a deeper insight into the musical world of Selves, highlighting the group’s approach to storytelling through sound.

Across the campaign, content will include behind-the-scenes insights into the compositional process, breakdowns of key musical moments from the series, and collaborative features showcasing the work of Final Cue. Together, these elements aim to create a cohesive rollout that connects the audience not only to the music, but to the creative journey behind it.

OFFLINE is a feature film exploring the psychological and cultural impact of artificial intelligence and digital dependence, particularly within entertainment and everyday life. The narrative follows five friends who retreat from the online world in an attempt to reconnect with reality, only to encounter something far more unsettling when an unknown broadcast begins to blur the line between observer and participant.

Scored by James Mazzocchi, the film’s music plays a central role in shaping its atmosphere—moving between warmth and intimacy in the opening moments, before gradually evolving into a more distorted and unsettling sonic landscape. The score reflects the film’s core themes: disconnection, identity, and the lingering presence of digital noise even in silence.

As part of the release on Amazon Prime Video in late August, the campaign will roll out a series of content pieces designed to immerse audiences in both the film’s narrative and its sound world. This will include behind-the-scenes insights into the scoring process, breakdowns of key scenes and their musical development, and explorations of how sound can represent the psychological effects of technology and AI.

Additional content will focus on the conceptual side of the project, examining how OFFLINE uses horror not through spectacle, but through familiarity—capturing the quiet unease of stepping away from constant connectivity. The campaign aims to position the film not only as a narrative experience, but as a reflection on modern digital life, encouraging audiences to question their own relationship with technology.